$41 in advance / $50 day of concertk.d. lang
is that rare performer who, over 25 years as a major-label artist, has matured before our very ears. The Western Canada native launched her career with a blend of country-rock stylings and playfully punk-like attitude, by turns whimsical and subversive; back then, she practically put the alternative in alt-country. But from the very beginning, her bravura singing belied her kitschy cowgirl outfits and spiky hair; anyone lucky enough to attend very first appearances in the United States could hear that she was marked for greatness.
After independently releasing A Truly Western Experience
on a Canadian label in 1984, which generated serious major-label interest in the States, lang
joined Sire/Warner Bros. for her 1987 U.S. debut, Angel With A Lariat
, produced by one-time Rockpile guitarist Dave Edmunds and cut with her then-band the Reclines. 1988 follow-up Shadowland
-rather daringly-right to the heart of Nashville for a countrypolitan-themed collaboration helmed by legendary producer Owen Bradley, mentor to lang's
idol, Patsy Cline, as well as to Brenda Lee. (In fact, Lee, Loretta Lynn, and Kitty Wells make a guest vocal appearance on the album's "Honky Tonk Angels' Medley.") Though the Nashville establishment may have remained skeptical about lang
reached #8 on the Billboard Country album chart.
wasn't looking to be pigeonholed. Her 1989 Grammy Award-winning Absolute Torch and Twang
(Best Female Country Vocal Performance) combined her love of country with increasingly sophisticated, emotive torch singing typified by "Pullin' Back the Reins." With the 1992, platinum-selling Ingenue
she had fashioned a sound-if not a genre-all her own: an elegant and impassioned adult contemporary approach. That yielded her biggest hit, "Constant Craving," as well as another Grammy, this time for Best Female Pop Vocal Performance. On subsequent releases, lang
continued to both fine-tune and expand the parameters of her songwriting and her repertoire. All You Can Eat
(1995) was the most experimental, as challenging as it was fun; the smoking-themed Drag
(1997) underscored her gifts as an interpreter, utilizing material by composers ranging from Steve Miller and Air Supply to Jane Siberry and Andre and Dory Previn. Invincible Summer
(2000) was perhaps her most sultry, a collection featuring bossa nova inflections and dreamy electronics.
With Hymns of the 49th Parallel
in 2005, lang
presented her most compelling set of material by other songwriters-all of them, in this case, fellow Canadians-as well as a gorgeous version of her own "Simple." lang's
interpretation of Leonard Cohen's oft-covered "Hallelujah" is understatedly stunning; with good reason, it has become, along with her breathtaking cover of Roy Orbison's "Crying," an in-concert showstopper. Her most recent studio release, the beautiful and self-assured Watershed
, was, as the title suggests, a pivotal moment for lang
-her first effort acting as producer along with singer and songwriter. The Times of London declared: "It's a quirk of the music industry that one of the sexiest, most sensual voices in all of pop music comes not from some raven-tressed siren in a glitter-dress but a middle-aged woman with a utility haircut and a penchant for male tailoring." lang
herself called the album "a culmination of everything I've done-there's a little bit of jazz, a little country, a little of the Ingenue
sound, a little Brazilian touch." Along the way lang
garnered two more Grammys, eight Juno Awards in Canada, and Canada's highest civilian award, The Order of Canada.
Along with Siberry, lang
has collaborated, in the studio and on stage, with many other pop and country performers, including Bonnie Raitt and Elton John. But her best-known collaboration has been with veteran crooner Tony Bennett, with whom she recorded the 2002 Wonderful World
duets album and continues to tour regularly, often in symphonic settings. Bennett may, in fact, be her biggest fan and he declared to the press what so many fans have come to believe over the last two and a half decades: "She's the best singer of her generation."
Find more info at: http://www.kdlang.com Opening for k.d. lang: Lera Lynn
When Lera Lynn takes the stage, there is an undeniable feeling that she is something different - something special. Her sultry voice has a way of wrapping around melodies, enveloping the listener in her lyrics, rife with a plainspoken yet cutthroat honesty. When combined with her chordings, which are distinct, original and timeless in their own right, what is revealed is a songwriting craftsman already well on her way to establishing a niche that is very much her own. This coupled with her confident and compelling stage presence and excellent band, guarantee a dynamic and energetic live show.
In Summer 2011, Lynn was deemed winner of the Chris Austin Songwriting Competition held at Merlefest with her song, "Bobby, Baby." Sharing that honor with such alumni as Gillian Welch & Tift Merrit, the contest showed the Americana world that Lynn is indeed an upcoming artist to take seriously and watch closely. "Bobby, Baby" also recently won an award for Best Alt. Country Song in the 10th Annual Independent Music Awards Vox Pop poll, which is determined not by judges but by online fan voting. Just as important to her, Lynn walked away with 2011 "Best Americana Artist" and "Best Vocalist of the Year" in her beloved hometown of Athens, GA.
Released in March 2011, Have You Met Lera Lynn?
is available at independent record stores courtesy of the Coalition of Independent Music Stores (CIMS), as well as through LeraLynn.com, SlowRecords.com, Spotify, Amazon, & iTunes.
Find more info at: http://leralynn.com